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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id">27</journal-id>
      <journal-title-group>
        <journal-title>《机械工程》</journal-title>
        <abbrev-journal-title>Mechanical engineering</abbrev-journal-title>
      </journal-title-group>
      <issn>ISSN：2661-3530(P)/2661-3549(O)</issn>
      <publisher>
        <publisher-name>环宇科学出版社;华文国际出版社</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="publisher-id">10454</article-id>
      <title-group>
        <article-title>Digital Existence in the General AI Era ： Platforms ， Social Integration ， and Civilian Applications</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Yubei Qian （City Culture And Communication College</string-name>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Suzhou City University</string-name>
        </contrib>
        <contrib contrib-type="author">
          <string-name>China.）</string-name>
        </contrib>
      </contrib-group>
      <pub-date pub-type="epub">
        <year>2025</year>
        <month>1</month>
      </pub-date>
      <issue>1</issue>
      <abstract>
        <p>As the deployment of artificial intelligence generative content （AIGC） reaches the consumer end，we are
ushering in the era of Artificial General Intelligence （AGI）.The conversation surrounding digital existence has evolved
from an object-oriented perspective to a subject-oriented one.Digital avatars are now a common feature in the media
landscapes of everyday individuals.AI products like Lensa AI and the Miaoya Camera have made their way into the civilian
market with their user-friendly interfaces，cost-effective pricing，and a variety of stylistic templates，quietly transforming
the functionality and performative aspects of digital beings and introducing a new dimension of self-aesthetic
appreciation.The digitization of self-image，prominently exemplified by digital avatars，has emerged as a novel
phenomenon in global media technology culture.This development demands thorough analysis and scholarly
investigation.The integration of these AI-driven avatars not only enhances the interactive and entertainment facets of
digital personas but also enriches the personal and aesthetic experiences of individuals，offering a fresh lens through which
to examine and understand the evolving digital self</p>
      </abstract>
    </article-meta>
  </front>
</article>
