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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id">4</journal-id>
      <journal-title-group>
        <journal-title>学习导刊</journal-title>
        <abbrev-journal-title>Learning Guide</abbrev-journal-title>
      </journal-title-group>
      <issn>ISSN:3104-4905（Print）（原2972-418X）</issn>
      <publisher>
        <publisher-name>华文科学出版社（HUAWEN SCIENCE PRESS）</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">10.12421/xxdk202304008</article-id>
      <article-id pub-id-type="publisher-id">178</article-id>
      <title-group>
        <article-title>黄宾虹点染法初探</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>王馨彤 （北华大学美术学院 吉林 132013）</string-name>
        </contrib>
      </contrib-group>
      <pub-date pub-type="epub">
        <year>2023</year>
        <month>4</month>
      </pub-date>
      <issue>4</issue>
      <abstract>
        <p>摘 要：墨、水是中国绘画的核心工具，画中景色意境万千，离不开墨与水的运用。黄宾虹归纳前人的笔法、墨法和水法，总结出五笔法、七墨法及七水法，令后世无数学习者受益。本文结合黄宾虹绘画作品，探索点染法对其艺术特征形成的助益，提出点染运用和黄宾虹艺术美学理论的吻合，对黄宾虹点染运用作深入的分析与探讨。</p>
      </abstract>
    </article-meta>
  </front>
</article>
