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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id">6</journal-id>
      <journal-title-group>
        <journal-title>国际教育学</journal-title>
      </journal-title-group>
      <issn>ISSN:2972-4171</issn>
      <publisher>
        <publisher-name>华文科学出版社</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">10.12421/gjjyx2024110100114</article-id>
      <article-id pub-id-type="publisher-id">4595</article-id>
      <title-group>
        <article-title>达斡尔族民歌音乐形态探讨</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>黄山</string-name>
        </contrib>
      </contrib-group>
      <pub-date pub-type="epub">
        <year>2024</year>
        <month>11</month>
      </pub-date>
      <issue>11</issue>
      <abstract>
        <p>我国共有五十六个民族，各个民族生生不息，历经千秋万代创造出了令人惊叹的具有显著代
表性的民族音乐。其中，内蒙古东部地区民族音乐的发展可以说是对我国北方少数民族游牧音乐和草
原音乐的传承，也是对草原文化的积淀。文章首先阐述达斡尔族民歌风格的形成原因及背景，随后探
究达斡尔族民歌的艺术特征和音乐形态，最后讨论了达斡尔族民歌的传承与保护。</p>
      </abstract>
    </article-meta>
  </front>
</article>
