刊名 | 《机械工程》 | ||||
作者 | Yubei Qian (City Culture And Communication College,Suzhou City University,China.) | 英文名 | Mechanical engineering | 年,卷(期) | 2025年,第1期 |
主办单位 | 环宇科学出版社 | 刊号 | ISSN:2661-3530(P)/2661-3549(O) | DOI |
As the deployment of artificial intelligence generative content (AIGC) reaches the consumer end,we are ushering in the era of Artificial General Intelligence (AGI).The conversation surrounding digital existence has evolved from an object-oriented perspective to a subject-oriented one.Digital avatars are now a common feature in the media landscapes of everyday individuals.AI products like Lensa AI and the Miaoya Camera have made their way into the civilian market with their user-friendly interfaces,cost-effective pricing,and a variety of stylistic templates,quietly transforming the functionality and performative aspects of digital beings and introducing a new dimension of self-aesthetic appreciation.The digitization of self-image,prominently exemplified by digital avatars,has emerged as a novel phenomenon in global media technology culture.This development demands thorough analysis and scholarly investigation.The integration of these AI-driven avatars not only enhances the interactive and entertainment facets of digital personas but also enriches the personal and aesthetic experiences of individuals,offering a fresh lens through which to examine and understand the evolving digital self
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